
Yesterday my mother and I went to visit my brother in Baton Rouge. We had a nice lunch, went shopping for books (I bought Jorge Luis Borges’ Selected Non-Fictions), and caught two movies in a row. This is something I hadn’t done since my most frenzied days of film watching, back when I worked at the cinema and watched 5-10 movies per week.
The first film of our double feature was Jonathan Demme’s crafty remake of John Frankenheimer’s The Manchurian Candidate. Demme has remodeled Frankenheimer’s masterful original, a paranoid work that slyly illustrates the collision of Communist ideologues and their most ardent critics and what sort of disastrous impact that could have on the American political process, into a skillful examination of the political and social realities of our time. In doing so he rifts on the original but never covers it note for note.
After a brief prologue set in the original Gulf War, we move to the darkly proclaimed world of “Today”. Due to the announcements of Military casualties in Guinea, various references to multi-national corporations like MegaMart and also to the music of the opening scenes (if you’re an avid music listener you’ll know what I mean, no G.I.s were listening to French hip-hop in the first Gulf War) we know that Demme has set his film in an alternate world that mockingly mimics our own. The differences and similarities between our world and that of the film was one of the most enjoyable parts of the movie for me.